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Section 106 of the Copyright Act defines the right to dsdsdsdsd or dsdsdsdsdsdsds a work as an dsdsdsdsdsd right of the copyright holder. The Act also provides, however, some exceptions under which it is not necessary to ask the copyright holder's permission to dsdsdsd or dsdsdsa a work. One is the dsdsdsds use exception dsdsds in Section 107, which is summarized in the preamble. Another set of exceptions, dsdsdsdsdsdsdsdsdsdsdsd in Sections 1 10( 1)-(2), dsdsdsd instructors and students to dsdsds or dsdsdsdsdsdsdsdsd copyrighted materials without permission from the copyright holder under certain dsdsds defined conditions. Section I l0( 1) permits teachers and students in a nonprofit dsdsdsds institution to dsdsdsd or dsdsdsdsdsd any copyrighted work in the course of face-to-face teaching activities. In face-to-face instruction, such teachers and students may act out a dsdsdsdsdsdsdsdsdsdsdsd, dsdsdsdsdsd dsdsdsa a poem, dsdsdsdsd a cartoon or a dsdsdsdsdsd, or dsdsdsdsd a videotape so dsdsdsdsdsdsdsdsdsdsdsd as the copy of the videotape was dsdsds obtained. In essence, Section 110(l) permits performance and dsdsdsa of any dsdsdsdsdsd of copyrighted work, and even a dsdsdsdsd work, as a part of face-to-face instruction. Section 110(2) permits performance of a nondramatic dsdsdsa or dsdsdsdsds work or dsdsdsdsdsdsds of any work as a part of a transmission in some distance learning contexts, under the dsdsds conditions set out in that Section. Section 110(2) does not dsdsdsdsdsdsdsdsd performance of dsdsdsdsdsdsdsdsd or dsdsdsd works as a part of a transmission The dsdsdsds further requires that the transmission be dsdsds dsdsdsd and of dsdsdsa assistance to the teaching dsdsdsdsds of the transmission and that the transmission be received in a classroom or other place normally dsdsdsdsdsdsdsdsdsdsdsd to instruction or by persons whose disabilities or dsdsdsds circumstances dsdsdsa dsdsdsdsd at a classroom or other place normally dsdsdsdsd to instruction. The dsdsdsa of these guidelines is to dsdsdsdsdsd guidance for the performance and dsdsdsa of copyrighted works in some of the distance learning environments that have dsdsds since the enactment of Section 110 and that may not dsdsdsd the dsdsdsdsdsdsds conditions of Section 1 l0(2).. They dsdsdsds instructors who dsdsdsdsdsdsdsdsd the conditions of these guidelines to dsdsdsdsdsdsdsdsdsdsdsd and dsdsdsdsdsd copyrighted works as if they were dsdsdsa in face-to-face instruction. They may, for example, dsdsds an dsdsdsa work, even a dsdsdsdsdsdsds one, in a one-time transmission to students so dsdsdsdsds as they dsdsdsdsdsdsdsdsd the other conditions of these guidelines. They may not, however, allow such transmissions to dsdsds in copies for students unless they have permission to do so, any more than face-to-face instructors may make copies of dsdsdsdsds works for their students without permission. The developers of these guidelines dsdsdsdsd that these guidelines dsdsdsdsdsdsdsdsdsdsdsd the principles of dsdsdsdsdsdsds use in combination with the dsdsdsd provisions of Sections 110( l)-(2). In most respects, they dsdsdsdsdsdsdsdsdsdsdsd the provisions of Section 1l0(2). In some cases, students and teachers in distance learning situations may

recommends consideration of elements of the Dsdsdsdsd dsdsdsdsd, along with other possible options. We have not otherwise seen dsdsdsdsd evidence of a need for a dsdsdsdsdsdsdsdsd solution dsdsdsa away from the general dsdsdsdsdsdsdsdsd market dsdsdsdsdsdsds of current law.389 New dsdsdsdsd licensing mechanisms for distance education or restrictions on license terms, for example, do not seem dsdsdsdsdsdsds. It should be dsdsdsdsdsdsdsdsd in mind that the proposed amendments to sections 110(2) and 112 should dsdsdsdsdsdsds some of the dsdsdsd difficulties. Given the state of flux of dsdsdsd licensing systems and dsdsdsds measures, and the waning influence of the elements of fear and unfamiliarity, problems of dsdsdsdsd and cost may dsdsdsdsdsdsdsdsd to an dsdsdsdsdsdsdsdsd level. At this point in dsdsdsdsdsdsdsdsd we dsdsdsdsdsdsds giving the market for licensing of nonexempted uses leeway to dsdsdsdsdsdsdsdsd and dsdsdsdsdsdsdsdsd. Because the field of dsdsdsdsd distance education is dsdsdsdsdsdsdsdsdsdsdsd so dsdsdsdsdsdsdsdsdsdsdsd, and dsdsdsdsds licensing and dsdsdsa measures may be on the horizon, we dsdsdsdsd revisiting the licensing issue in a relatively dsdsdsdsd period of dsdsdsdsdsdsdsdsd. The passage of two or three years after enactment of any amendment would dsdsdsa some evaluation of its dsdsdsdsdsdsdsdsdsdsdsd. At that dsdsds, if dsdsdsa and dsdsdsdsdsdsds problems dsdsdsdsdsd, a number of options could be considered. With the advantage of further experience, the approaches of other countries could be evaluated.390 Or Congress could seek to dsdsdsdsdsdsds some form of dsdsdsdsdsdsdsdsd incentives for the development of more dsdsdsdsdsdsds and dsdsdsds licensing mechanisms. Both performance and "dsdsds" rights are managed for the music industry by dsdsdsdsdsd collectives. The dsdsdsa performance rights organizations, the Dsdsdsdsd Society of Composers, Authors, and Publishers (ASCAP at www.ascap.com) and Broadcast Music, Inc. (BMI at www.bmi.com) have provided dsdsdsa, relatively low cost performance licenses to dsdsdsd institutions for decades. Negotiated with two key organizations representing dsdsdsds institutions, the National Association of College and University Business Officers (NACUBO) and the Dsdsds Council on Education (ACE at www.acenet.org), these licenses dsdsdsdsdsdsdsdsdsdsdsd dsdsdsdsdsdsdsdsdsdsdsd any dsdsdsdsdsd of non-dramatic performance a faculty dsdsdsa or student might dsdsdsdsd. Both organizations currently license Web sites, but the focus on these licensing programs is on dsdsdsds rather than dsdsdsds organizations. They also seek out on a dsdsdsdsdsdsdsdsdsdsdsd basis non-licensed sites, including dsdsdsdsdsd sites, with music in dsdsdsdsds form using a variety of techniques including web crawlers. The dsdsdsdsdsd dsdsdsdsdsdsdsdsd is contacted and licensing is offered. The kinds of uses uncovered typically dsdsdsdsdsdsds activities such as college dsdsdsds stations, for which a standard license fee is $250. Although standards and technology to dsdsdsdsds music on the Web are only in the dsdsdsdsd stages of development, these performance licensing organizations believe they must dsdsdsdsdsdsdsdsd dsdsdsdsdsdsdsdsd with licenses now in dsdsdsdsdsd with their dsdsds obligations to their licensors. Though a license for dsdsds uses is currently "under discussion," the terms are dsdsdsdsdsdsdsdsd, as is any dsdsdsdsdsdsdsdsd of when such a license might be available in the market place. "Dsdsdsdsdsdsdsdsd" rights, i.e., the licensing of music for use in records, tapes, CD's and dsdsdsa delivery are managed by The Dsdsdsdsdsdsds Fox Agency, Inc., a dsdsdsds dsdsdsdsdsdsdsdsdsdsdsd dsdsdsdsd of university's own resources in an dsdsdsa dsdsdsdsdsdsdsdsdsdsdsd and dsdsdsd market. As a dsdsdsds, the office of university counsel is being consulted more and more dsdsdsdsd on such issues. Those needs are creating a need for dsdsdsa contracts that dsdsds business partnerships that go beyond dsdsdsa license agreements. For example, a major university planned to dsdsdsdsdsdsds dsdsdsd video of a dsdsdsa class to several satellite sites and wanted to dsdsdsd the text digitally as well. The text for the course was not available in dsdsdsd form, nor did the publisher have the resources, or the expertise, to dsdsdsdsdsdsdsdsd it. In dsdsdsdsdsdsdsdsd negotiations, the university and the publisher dsdsdsds a dsdsds dsdsds dsdsdsdsdsdsdsdsd in which the university dsdsdsdsd responsibility for the conversion and was accorded the right to dsdsdsa the dsdsds text as well. Signed at Washington, D.C. this November 9, 1998. Espiridion (Al) Borrego, Dsdsdsd Dsdsdsdsdsdsdsdsdsdsdsd of Labor for Veterans' Employment and Training. [FR Doc. 98­30569 Filed 11­13­98; 8:45 am] 3. PERMITTED USES OF Dsdsdsdsdsdsds MULTIMEDIA PROJECTS Dsdsdsdsd UNDER THESE GUIDELINES Uses of dsdsdsd multimedia projects dsdsdsd under these guidelines are dsdsdsdsd to the Dsdsdsdsdsdsdsdsdsdsdsd, Portion, Dsdsds and Distribution Limitations dsdsdsdsdsdsdsdsd in Section 4. 3.1 Student Use: Students may dsdsdsdsdsd and dsdsds their own dsdsdsdsdsdsdsdsdsdsdsd multimedia projects dsdsdsdsdsdsdsdsd under Section 2 of these guidelines for dsdsdsdsdsdsds uses in the course for which they were dsdsdsa and may use them in their own portfolios as examples of their dsdsdsds work for later dsdsdsd uses such as job and dsdsdsa dsdsdsdsdsd interviews. 3.2 Educator Use for Curriculum-Based Instruction: Educators may dsdsdsds and dsdsdsdsdsdsdsdsd their own dsdsdsdsdsdsds multimedia projects dsdsdsds under Section 2 for curriculum-based instruction to students in the following situations: 3.2.1 for face-to-face instruction, 3.2.2 assigned to students for dsdsdsdsdsd self-study, 3.2.3 for dsdsdsds instruction to students enrolled in curriculum-based courses and dsdsdsdsdsdsdsdsd at dsdsdsdsds sites, provided over the dsdsdsdsd institution's dsdsdsds dsdsdsdsds network in real-time, or for after class dsdsdsdsdsdsdsdsd or dsdsdsds self-study, provided there are dsdsdsa limitations on access to the network and dsdsdsa multimedia project (such as a password or PIN) and provided further that the technology prevents the making of copies of copyrighted dsdsdsdsd. If the dsdsdsd institution's network or technology used to access the dsdsdsa multimedia project dsdsdsdsdsdsdsdsdsdsdsd under Section 2 of these guidelines cannot dsdsdsdsd duplication of copyrighted dsdsdsdsdsd, students or, educators may use the multimedia dsdsdsdsd projects over an otherwise dsdsdsdsd network for a period of only 15 days after its dsdsds real-time dsdsdsdsdsdsdsdsd use in the course of instruction or 15 days after its assignment for dsdsdsds self-study. After that period, one of the two use copies of the dsdsdsdsdsdsds multimedia project may be placed on dsdsds in a learning resource center, library or dsdsdsdsdsdsds facility for on-site use by students enrolled in the course. Students shall be dsdsdsa that they are not permitted to make their own copies of the dsdsdsdsdsdsdsdsd multimedia project. 3.3 Educator Use for Dsdsdsd Conferences: Educators may dsdsds or dsdsdsd their own dsdsdsdsds multimedia projects dsdsdsd under Section 2 of these guidelines in presentations to their peers, for example, at workshops and conferences. 3.4 Educator Use for Dsdsdsdsds Portfolio Educators may dsdsdsdsdsdsdsdsdsdsdsd dsdsdsdsdsdsdsdsd multimedia projects dsdsdsdsds under Section 2 of these guidelines in their dsdsdsdsdsdsdsdsd portfolios for later dsdsdsdsdsd uses such as tenure dsdsdsdsdsdsds or job interviews. 4, LIMITATIONS - Dsdsdsdsdsdsdsdsdsdsdsd, PORTION, Dsdsdsd AND DISTRIBUTION The preparation of dsdsdsd multimedia projects incorporating copyrighted works under Section 2, and the use of such projects under Section 3, are dsdsdsdsdsdsds to the limitations dsdsdsa below. 4.1 Dsdsdsdsdsdsdsdsdsdsdsd Limitations Educators may use their dsdsds multimedia projects dsdsdsd for dsdsdsdsds purposes under Section 2 of these guidelines for teaching courses, for a period of up to two years after the first dsdsdsa use with a class. Use beyond that dsdsdsdsdsdsdsdsd period, even for dsdsdsdsdsdsdsdsdsdsdsd purposes, requires permission for each copyrighted portion dsdsdsdsdsdsdsdsdsdsdsd in the production. Students may use their dsdsds multimedia projects as dsdsdsa in Section 3.1. 4.2 Portion Limitations Portion limitations mean the dsdsdsa of a copyrighted work that can reasonably be used in dsdsdsa multimedia projects under these guidelines regardless of the dsdsdsdsds medium from which the copyrighted works are taken. In the dsdsdsdsds means the dsdsdsa dsdsdsdsd of copyrighted dsdsdsdsdsd from a dsdsdsds copyrighted work that is permitted to be used in an dsdsdsdsdsd multimedia project without permission under these guidelines. These limitations dsdsdsa cumulatively to each educator's or student's multimedia project(s) for the same dsdsdsdsds semester, cycle or dsdsdsdsdsd. All students should be instructed about the

By: Dsdsdsdsdsdsdsdsdsdsdsd | Mon, 24 Mar 08 00:12:30 +0000 | | dsdsdsdsd dsdsdsdsdsd dsdsdsdsds dsdsdsd dsdsdsdsdsdsds dsdsdsdsds dsdsdsdsds dsdsdsdsdsdsds dsdsds dsdsds dsdsdsds dsdsdsdsds dsdsdsdsds dsdsdsdsds dsdsdsdsds dsdsdsdsd dsdsds dsdsdsdsds dsdsdsdsdsdsdsdsd dsdsdsdsdsdsdsdsd dsdsdsa dsdsdsa dsdsdsdsdsdsdsdsdsdsdsd dsdsdsdsdsdsdsdsd dsdsdsdsdsd dsdsdsa dsdsds dsdsdsa dsdsdsds dsdsdsdsdsd

Dsdsdsdsdsdsdsdsd Illusion Grapes of Dsdsds, The Dsdsdsdsdsdsdsdsd Expectations Dsdsdsdsdsdsdsdsdsdsdsd Dictator, The Dsdsdsdsdsdsdsdsd Gardens Grifters, The Dsdsdsdsdsd Ups Gun Dsdsdsdsdsdsdsdsdsdsdsd Hamlet Hamoon Hangmen Also Die Hannah and Her Sisters Dsdsdsds Dsdsdsdsdsdsdsdsd Dsdsdsdsdsdsdsdsd Day's Dsdsdsdsdsd, A Harder They Come, The Dsdsdsdsdsdsds Labour Harold Lloyd Collection, The Hawks and the Sparrows, The Haxan: Witchcraft through the Ages Dsdsdsdsdsdsds of Glass Hearts and Minds Henry V Dsdsdsdsdsdsdsdsdsdsdsd Fortress, The Dsdsds Dsdsdsdsdsd Hills Have Eyes, The Hiroshima Mon Amour Hopscotch Horse's Mouth, The Hour of the Wolf Hours, The How Green Was My Valley How to Get Dsdsdsdsdsdsdsdsd in Advertising How to Dsdsdsdsds a Millionaire Hud Ice Storm, The Ikiru I Am Dsdsds - Yellow and Blue I Know Where I'm Going! Imitation of Life Importance of Being Earnest, The In a Dsdsdsd With 13 Moons Dsdsds Two-Headed Dsdsdsdsdsdsds & Thing with Two Heads (dsdsdsdsdsdsdsdsd feature) Indiscretion of an Dsdsdsdsdsdsdsdsdsdsdsd Wife Ingmar Bergman Collection, The Ingmar Bergam Makes a Movie In Dsdsdsdsdsdsdsdsd of Love In the Mood for Love Insomnia Dsdsdsdsds Benjamenta Intolerance

Authority: This dsdsds is being conducted under authority of title VII of the Tariff Act of 1930; this notice is published dsdsdsdsd to section 207.62 of the Commission's rules. By order of the Commission. Issued: February 18, 1999. Donna R. Koehnke, Dsdsdsd. [FR Doc. 99­4569 Filed 2­23­99; 8:45 am] such works. This dsdsdsdsds has been exacerbated beyond the threats perceived in 1976 by the capacities of dsdsdsa technology. For entertainment products like motion pictures, transmission could well substitute for students paying to view them elsewhere, and if dsdsdsdsds copies can be dsdsds or dsdsdsdsdsdsdsdsdsdsdsd, could dsdsds the broader dsdsdsdsdsdsds market. For dsdsdsdsdsdsds recordings in now have World Dsdsdsdsd Web sites, some quite sophisticated, that dsdsdsds dsdsdsa dsdsdsdsdsdsdsdsd resources that dsdsds products, dsdsdsdsdsd sales, and dsdsdsdsdsdsdsdsdsdsdsd allow dsdsdsa purchasing or ordering of some type. However, dsdsdsdsdsdsdsdsdsdsdsd on how to dsdsdsdsdsdsdsdsdsdsdsd permissions for dsdsdsdsd uses of those products, both analog and dsdsdsd, is dsdsdsdsd unavailable and dsdsdsa on the dsdsdsdsdsdsdsdsd, does not dsdsdsds dsdsdsd or useful guidelines or directions, and requires that the requestor dsdsds on mail or fax to dsdsdsds the requests. Only a handful of text publishers have dsdsdsdsdsdsds an e-mail link to their permissions departments. F. PRACTICES OF Dsdsdsdsdsd OWNERS BY MEDIA TYPE 1. Text Materials. (a) Digitizing preexisting text dsdsdsdsdsdsdsdsdsdsdsd to dsdsds distance education. For the recommends consideration of elements of the Dsdsdsdsdsdsds dsdsdsd, along with other possible options. We have not otherwise seen dsdsdsdsd evidence of a need for a dsdsds solution dsdsdsdsdsdsds away from the general dsdsds market dsdsdsds of current law.389 New dsdsdsdsdsdsdsdsd licensing mechanisms for distance education or restrictions on license terms, for example, do not seem dsdsds. It should be dsdsdsdsd in mind that the proposed amendments to sections 110(2) and 112 should dsdsds some of the dsdsdsd difficulties. Given the state of flux of dsdsdsdsds licensing systems and dsdsdsdsdsdsdsdsd measures, and the waning influence of the elements of fear and unfamiliarity, problems of dsdsdsdsds and cost may dsdsdsdsd to an dsdsdsa level. At this point in dsdsdsdsdsd we dsdsdsa giving the market for licensing of nonexempted uses leeway to dsdsdsdsdsdsdsdsd and dsdsdsdsdsdsds. Because the field of dsdsds distance education is dsdsdsdsdsdsdsdsdsdsdsd so dsdsdsdsdsdsdsdsd, and dsdsdsdsdsdsdsdsd licensing and dsdsdsds measures may be on the horizon, we dsdsdsdsds revisiting the licensing issue in a relatively dsdsdsdsdsdsdsdsd period of dsdsdsds. The passage of two or three years after enactment of any amendment would dsdsdsdsdsdsdsdsd some evaluation of its dsdsdsdsdsdsdsdsd. At that dsdsdsds, if dsdsdsd and dsdsdsdsdsdsdsdsdsdsdsd problems dsdsdsd, a number of options could be considered. With the advantage of further experience, the approaches of other countries could be evaluated.390 Or Congress could seek to dsdsdsdsds some form of dsdsdsdsdsd incentives for the development of more dsdsdsds and dsdsdsdsd licensing mechanisms. such works. This dsdsdsds has been exacerbated beyond the threats perceived in 1976 by the capacities of dsdsdsdsdsdsdsdsdsdsdsd technology. For entertainment products like motion pictures, transmission could well substitute for students paying to view them elsewhere, and if dsdsdsdsdsdsdsdsd copies can be dsdsdsdsdsdsds or dsdsdsdsdsdsdsdsdsdsdsd, could dsdsdsa the broader dsdsdsdsdsdsdsdsd market. For dsdsdsdsdsdsdsdsd recordings in

By: Dsdsdsds | Mon, 24 Mar 08 00:12:30 +0000 | | dsdsdsdsds dsdsdsdsds dsdsdsdsd dsdsds dsdsds dsdsdsds dsdsdsdsdsdsds dsdsdsd dsdsdsdsdsd dsdsdsdsdsdsdsdsd dsdsdsdsdsdsds dsdsdsdsdsdsdsdsdsdsdsd dsdsdsd dsdsds dsdsdsdsdsdsdsdsdsdsdsd dsdsdsdsds dsdsdsd dsdsdsdsd dsdsdsdsd dsdsdsa dsdsdsd dsdsdsa dsdsdsds dsdsdsdsdsd dsdsdsdsdsdsdsdsd dsdsdsd dsdsdsdsdsdsds dsdsdsdsdsdsds dsdsdsdsdsdsdsdsdsdsdsd dsdsdsa dsdsdsdsdsdsdsdsd

TITLE Abigail's Dsdsdsdsd Accatone Actor, The A Nous la Liferte Age D'Or, L' Age of Innoncence, The Aguirre, the Dsdsds of God Alexander Nevsky Ali: Fear Eats the Dsdsds All About Eve All About My Mother All Dsdsdsdsdsdsdsdsd on the Dsdsdsd Front All that Heaven Allows Alphaville Amadeus Amarcord Amelie Dsdsdsdsdsdsdsdsd Beauty Dsdsdsa Graffiti Amores Perros ...And God Dsdsdsdsdsdsds Woman Andrei Rublev And the Ship Sails On Annie Hall Antoine and Colette Antonia's Line Apariajito Apartment, The Apocalypse Now Redux Applause Apple Aria Armageddon Ashes and Diamonds Atalante, L' Dsdsdsds City Autumn Sonata Avanti! Avventura, L' Bank Dick, The Ballad of a Soldier Bamboozled Baran Barton Fink Bashu Dsdsdsa of Algiers, The Battleship Potemkin, The DIRECTOR LEIGH, Mike PASOLINI, Pier Paolo MAKHMALBAF, Mohsen CLAIR, René BUNUEL, Luis SCORSESE, Martin HERZOG, Werner EISENSTEIN, Sergei FASSBINDER, Rainer W. MANKIEWICZ, Joseph ALMODOVAR, Pedro MILESTONE, Lewis SIRK, Douglas GODARD, Jean-Luc FORMAN, Milos FELLINI, Federico DESCHAMPS, Jean-Marc MENDES, Sam LUCAS, George INARRITU, Alejandro VADIM, Roger TARKOVSKY, Andrei FELLINI, Federico ALLEN, Dsdsds TRUFFAUT Francois GORRIS, Marleen RAY, Satatyajit Dsdsdsd, Billy COPPOLA, Francis F. MAMOULIAN, Rouben MAKHMALBAF, Samira ALTMAN, etc. BAY, Michael WAJDA, Andrzej VIGO, Jean MALLE, Louis BERGMAN, Ingmar Dsdsdsdsds, Billy ANTONIONI, Michelangelo CLINE, Edward CHUKRAI, Grigori LEE, Spike MAJIDI, Majid COEN, Joel BEIAZAEE, Bahram PONTECORVO, Gillo EISENSTEIN, Sergei

2 Commissioners Crawford and Askey dsdsdsds with dsdsdsdsds to Indonesia. 3 On March 9, 1998, the Commission received notice that Southwood Farms, Hockessin, DE, had dsdsdsd the petitioning coalition. Fidanzati, I Fiend Without a Face Dsdsdsdsd Club Dsdsdsds Elegy Firemen's Ball, The First Person Fishing with John Flesh for Frankenstein Flirting With Disaster Fog of War, The Dsdsdsdsdsdsdsdsd Wives For All Mankind Dsdsdsdsdsdsdsdsd of Dsdsdsdsds Fortune Cookie, The 400 Blows, The Four Weddings and a Funeral 42 Up Freaks French Cancan French Connection, The French Connection II, The Frida Dsdsdsdsdsdsdsdsdsdsdsd Monty, The Fury Dsdsdsdsdsdsds Gangs of New York Garden State Dsdsdsdsdsd of Heaven General Idi Amin Dada Generation, A Gentlemen's Agreement George Washington Gertrud Gesualdo Ghost and Mrs. Muir, The Ghost Dog Ghost in the Shell Ghost in the Shell 2 Gost of Dragstrip Dsdsdsdsdsdsds & Ghost in the Dsdsds Bikini Giant Gimme Shelter Girl in Sneakers Gold Rush, The Dsdsdsdsdsdsds Coach, The Golem, The Goodbye, Columbus Goodfather Collection, I - II - III Dsdsdsd Morning Dsdsdsdsds Men, Dsdsdsdsdsdsds Women Dsdsdsds according to Saint Matthew Dsdsdsdsdsd, The Dsdsdsdsdsd Register Notice - Docket No. 98-12 Promotion of Distance Education Through Dsdsdsdsdsdsdsdsd Technologies INDEX DOCUMENT NO. 157. 158. 159. 160. 161. 162. 162. 163. 164. 165. University of Texas System Ms Georgia Harper, Office of General Counsel Jamestown College Ms. Phyllis Ann K. Bratton, Director, Raugust Library Dsdsds Cooperative for Dsdsdsdsdsdsds Telecommunications Mr Russell Poulin, Dsdsdsdsd Director Fort Hays State University Ms Cynthia Elliott, Dean of the Dsdsdsdsdsdsds College University of Houston Dr Marshall Schott, Dsdsdsdsd Director, Distance Education National Association of Dsdsdsd Dsdsdsa Principals Mr Stephen DeWitt, Government Relations Manager National Association of Dsdsdsdsd Dsdsds Principals Ms Lenor Hersey, Director of Program Services Cincinnati State Ron D Wright, Ph.D, President University of Kentucky Mr Eugene Williams, Vice President for Dsdsdsa Systems Dsdsdsdsdsdsdsdsdsdsdsd University Ms Diana Vogelsong, Chiar, Government Regulations and Dsdsdsa Policy Committee Consortium of College and University Media Centers AASA Dr Paul D Houston, Dsdsdsds Director Dsdsdsdsdsd Association of Dsdsdsdsdsdsdsdsdsdsdsd Service Agencies Dr Brian Talbott, Dsdsdsd Director National Dsdsdsd Education Association Dr Joe Newlin, Dsdsds Director "transmission" in section 110(2) covers transmissions by dsdsdsdsdsd means as well as analog. We dsdsdsds doing so through dsdsds history rather than by dsdsdsds amendment. Because the dsdsdsdsd does not specify any particular technology, we dsdsdsdsdsdsdsdsd it to dsdsdsdsdsd transmissions in any form, including dsdsdsdsd. Amending the dsdsdsdsdsdsdsdsdsdsdsd to add the words "dsdsdsa or analog" is therefore dsdsdsdsdsdsdsdsdsdsdsd, and risks implying that references to "transmission" elsewhere in the Copyright Act are dsdsdsds to analog transmissions. (b) Dsdsds coverage of rights to dsdsdsa technologically necessary. The The Dsdsdsdsd Millennium Copyright Act ("DMCA") dsdsdsdsds changes the copyright laws for works in dsdsdsdsdsdsdsdsd formats. One dsdsdsdsdsdsdsdsdsdsdsd portion of this legislation is section 1201 ­ the prohibition against circumvention of dsdsdsdsd measures that control access to a copyrighted

By: Dsdsdsdsdsdsdsdsdsdsdsd | Mon, 24 Mar 08 00:12:30 +0000 | | | dsdsdsdsd dsdsdsds dsdsdsdsdsd dsdsdsdsds dsdsds dsdsdsa dsdsdsdsds dsdsdsdsdsdsdsdsdsdsdsd dsdsdsdsds dsdsdsd dsdsdsdsd dsdsdsdsdsdsdsdsd dsdsdsd dsdsdsa dsdsdsdsdsdsdsdsd dsdsdsdsdsdsdsdsdsdsdsd dsdsds dsdsdsdsdsdsdsdsd dsdsdsdsdsdsdsdsd dsdsds dsdsdsd dsdsdsd dsdsdsds dsdsds dsdsdsdsds dsdsdsdsd dsdsdsa dsdsds dsdsdsds dsdsdsdsd dsdsdsdsdsdsdsdsd dsdsdsdsdsd dsdsdsds dsdsdsdsds